Check out the titles we're talking about now!
The staff, volunteers and trustees of Tompkins County Public Library write their own reviews.
The staff, volunteers and trustees of Tompkins County Public Library write their own reviews.
Thursday, November 13, 2008
Exit...Stage Left by Rush
I am a big fan of the Canadian progressive hard rock trio Rush, but I have never been a fan of their live albums, especially this one, Exit...Stage Left. Why? Mainly because Rush live are very similar to Rush on their studio albums, since they try to do the songs live the exact way they are done on the studio albums. And since the sound of their studio albums (at least from the era represented here, '74 to '81) were so perfect and the sound on this live album is not, there is not too much reason to want to have this.
I certainly approve of the song selection. Any Rush album to have songs like on it Xanadu, Jacob's Ladder, Beneath Between Behind, La Villa Strangiato, Freewill, A Passage To Bangkok (included on the original LP and remastered CD, but not here),and Red Barchetta is more than worth owning. For the casual Rush fan, their three most well known songs, Tom Sawyer, The Spirit Of Radio (a tune I’ve never liked!), and Closer To The Heart, are included here, the last one featuring a children’s choir. It is the mix that I have the biggest problem with. Alex Lifeson's guitar is very low in the mix, which is disappointing because it was so loud on the studio albums and a big part of their sound back then. I could also do without Neil Peart's drum solo, which is in the middle of the instrumental YYZ. Peart gets a chance to show off enough during the songs, so a drum solo from him is unnecessary.
The front and back cover, which show at least one object and/or person from every Rush album from their debut to 1981’s Moving Pictures, is kind of amusing. I like Alex Lifeson’s classical guitar solo Broon’s Bane, partly because it is one of the few times on the album his guitar is audible. And I like the introduction to Jacob’s Ladder, during which Rush play part of a Sam Cooke song; it may be the only moment of spontaneity on the whole album!
Like the first live album, All The World’s A Stage, Exit…Stage Left marked the end of an era for Rush. The next four albums (which include my least favorite album, Power Windows) would see Rush veer further away from their original hard rock roots and add more and more synthesizers and keyboards. I like this album, but do not consider it a must have for Rush fans. - Reviewed by Rich
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment