The Ultimates, volumes 1 and 2 by Mark Millar

Marvel’s Ultimate line is an attempt to solve many of the problems casual readers have with comic books and comic book collections, sometimes called graphic novels. The Ultimate line takes the characters who exist in Marvel’s mainstream books and strips them back down to their essence, taking out most of the continuity that has creeped up over the years, and making their origins more believable to 21st century science – more genetic engineering and less radiation.

The Ultimates are Marvel’s attempt at bringing the Avengers in to the Ultimate line of comics. All in all, it’s a successful attempt, at least in the first series. (The Ultimates lasted only 13 issues, collected in to the two volumes. There have been subsequent collections, Ultimates 2 and Ultimates 3, that have been less successful) You don’t need to know anything about the comic book characters to understand what’s going on in this book, they reintroduce everyone (with one exception; the Hulk – and even with him, they give enough of an explanation so that you don’t get lost). Certainly, fans of Marvel are more likely to notice some of the similarities and differences between this and normal Marvel stories, but it is not needed.

Ultimates is, by nature, an ensemble cast, but it focuses on Captain America. This Captain America is a very patriotic, fairly conservative, but ultimately a friendly guy who has been given powers by an experiment that let him be an ultimate soldier. He’s also one of the few characters with powers that is, more or less, still balanced. Iron Man is an alcoholic, though a functioning one. Thor is a deranged medical student... or maybe a Norse God. Giant Man and Wasp are in an abusive relationship, Quicksilver and Scarlet Witch are kind of ickily all over each other for a brother and sister... you need Captain America to hold on to in this story, because believe it or not, he’s the every man you feel your connection to.

In the end, the story is fairly straightforward comic book fare, but its well done, and the takes on these characters is a bit more realistic and updated than a lot of other comic book stories. If you’ve been thinking of getting in to super-hero comics, this isn’t a bad place to start. You could also consider volume 1 of Ultimate Spider-man or volume 1 of Ultimate X-men. - Reviewed by John

The Novels of Ariana Franklin

If you like, historical fiction, mysteries or just plain good writing, I highly recommend Ariana Franklin. She is described by Karen Harper, author of the Elizabeth I mystery series, as "bold, brilliant... the medieval answer to Kay Scarpetta and the CSI detectives." She is as good as Ellis Peters and is a winner of the Ellis Peters Historical Dagger Award. A former journalist herself, Franklin writes with the immediacy of journalism. She does meticulous research and seamlessly matches fiction with fact. Start by reading Mistress of the Art of Death when you will be introduced to her heroine Adelia, who is doctor and medieval pathologist - not a common or safe career for a woman. Follow with City of Shadows and you will be left poised for more. Be warned, however, today's torture is nothing compared to medieval torture and she leaves none of the cruelty and horror of those times out of her writing. Highly recommended and TCPL has both books. - Reviewed by Sally

The Sinner by Petra Hammesfahr

The Sinner, a psychological thriller by German author Petra Hammesfahr, was a haunting page-turner that was difficult to put down. The mystery revolves around Cora Bender, a young mother who suddenly and inexplicably stabs a man during a family outing at the lake. Her sudden attack on this newlywed who was necking with his wife on a nearby blanket horrified the onlookers and puzzled the police detective-in-charge, Inspector Grovian. Based on the evidence - witnesses and Cora's own admission of guilt - it should be an open-and-shut case.

However, good mysteries don't work that way. Inspector Grovian, puzzled by Cora's apparent lack motive for the murder, was intrigued. Whatever Grovian's reasons - professional pride, guilt over his relationship with his own daughter (who, like Cora, was in her twenties), Cora's alternating fits of apathy, despair, terror and arrogance - the Inspector probed and pried to explain the crime.

Meanwhile, Cora descends into a deep, black hole of memories that almost surface but cannot emerge clearly enough to explain the murder.

Author Hammesfahr continually reels out clues. In the beginning, I savored the story and followed the leads to piece it together. After about 100 pages, though, I needed to know the answer and could not put the book down.

The Sinner - as one might suspect from the title - is loaded with sex overshadowed by religious fanaticism and psychological trauma. It flirts with incest and sadomasochism. It drew me into Cora's deep well of pain and, like the Inspector, I could not figure her out until the very last page.

I highly recommend it for curious adults who enjoy suspense and a well-written mystery. TCPL also owns a copy of The Sinner in German. - Reviewed by Joyce

Victorian London Street Life in Historic Photographs by John Thomson

This book was originally published as Street Life in London in 1877. The photographs aren’t quaint or pretty, but document real people in real places. John Thomson, the photographer, and Adolphe Smith interviewed some of the people in the pictures and wrote sympathetic descriptions of their lives. As is noted in the preface, this is a new perspective on the poor.

The first photograph is titled “London Nomads” and it tells almost the whole story: the wooden caravan ‘home on wheels’ with a couple of kids peeking out the door, adults with worn clothes, tired faces and the bare earth beneath their feet. They wander about, making money when they can.

Perhaps saddest of all is the picture of one of the “Crawlers.” They are generally old women who have fallen into extreme poverty and live sometimes in the workhouse and sometimes in an available doorway. There are many more photographs that make Victorian London come alive for a moment. - Reviewed by Nancy

The Last Queen by C. W. Gortner

Juana of Castile, also known as “Juana, the Mad”, was the daughter of Queen Isabella and King Ferdinand of Spain. She saw her parents drive the Moors from Granada and unify the kingdoms of Spain. In an effort to expand the Spanish rule, Juana was sent to Flanders to marry Philip the Fair when she was only sixteen. Her sister, Catherine of Aragon, was sent to England to marry Henry VIII for the same reason.

The author tells her story of romance and betrayal through Juana’s voice. In the beginning, her marriage to Philip was one of passion. As their family grew, so did their problems. By marrying Juana, Philip assumed that he would become the King of Spain. After Queen Isabella died, there were major confrontations as both her husband and father positioned themselves to rule Spain. Juana was imprisoned under the accusation that she was mad. As her relationship with both her father and husband began to deteriorate, she became the victim of their plots. Her estranged husband Philip, became ill and died before he could become the King of Spain. Although abused by him, Juana was deeply affected by his death. She traveled throughout Spain in an effort to assert her control and Philip, in his coffin, traveled with her. She was rumored to have had his coffin opened several times so she could see him again. For this and other peculiarities, she became known as “Juana La Loca.”

C. W. Gortner gives the reader new insight into the world of the Spanish royal family and humanizes the woman who was the last Queen from the royal lineage. - Reviewed by Deb

An Exact Replica of a Figment of My Imagination: a Memoir by Elizabeth McCracken

McCracken writes in her memoir this simple sentence: “This is the happiest story in the world with the saddest ending.” She was a successful novelist and writing instructor in her 30’s when she met her husband and decided to start a family. Always resigned to be a spinster, McCracken was surprised when she quickly became pregnant and embraced her growing family. What happens next is the basis of this beautiful, poignant memoir. Days away from giving birth, she loses her baby and is forced to deliver her stillborn son in a hospital in France, where the new couple is living.

Powerful, bittersweet, but never self-pitying, McCracken explores what her life was like during that horrible time in France. The memoir is also humorous, uplifting, and happy in the end, when readers learn that McCracken is typing the manuscript with her new son (born a year after losing her first child) in her lap. One of the best examinations of grief, this memoir topped many “must read” lists in 2008, and would be perfect for those who loved The Year of Magical Thinking by Joan Didion. - Reviewed by Sarah

Stand Up by Jethro Tull

How do I love this album? Oh, let me count the ways!! First of all, there's the cover, which I love so much that I got a t-shirt with it on the front. It is a drawing done from woodcuts off all four Jethro Tull members, which at the time consisted of vocalist/ flutist/acoustic guitar player Ian Anderson, bassist Glenn Cornick, drummer Clive Bunker and (then) new guitarist Martin Barre. The combination of yellows and browns and the leaves in the background and the band members' attire give the cover a very woodsy feel, which suits the music to a t...shirt. The artist even gives Ian Anderson an extra finger, maybe to better help him play his flute! Secondly, I like how if you put the last three song titles together without any commas (We Used to Know Reasons for Waiting for a Thousand Mothers) that you get a sentence! Third, I have some very pleasant memories of my walk back from the music store after buying this on vinyl in the summer of 1980. Fourth, and most importantly, there are the songs themselves, which I adore; even some of the lesser ones, like Back to the Family and For A Thousand Mothers, have one or two things to recommend about them.

The blues (which was all over the Tull’s debut album, This Was) still shows up on the album’s opening number, A New Day Yesterday, where Ian Anderson plays both harmonica and flute. Great tune - I think it sounds a bit like early Black Sabbath (Tony Iommi was in Jethro Tull for a few weeks before Martin Barre and I am now thinking that perhaps he had a hand in creating this song). Tull’s jazzy rendition of Bach’s Bouree is a pure delight, with Ian Anderson singing, breathing, sneezing and grunting into his flute. It also features a short but memorable bass guitar solo. Look Into The Sun and Reasons For Waiting are two overlooked and very folksy sounding tunes, both of them full of beautiful and sad vocal melodies, the latter featuring a string section and guitarist Martin Barre on flute. Nothing Is Easy is an up-tempo, bluesy hard rock number, during which each band member gets a chance to show off on their respective instruments. Fat Man, which shows off Ian Anderson’s unique sense of humor, sees Tull experimenting with world music and has balalaika and bongo drums on it.

Elsewhere, We Used to Know has a chord progression that Ian Anderson says The Eagles later stole for Hotel California (I think that's bollocks myself!) and is a fun song to play on guitar. Jeffrey Goes to Leicester Square is a short, but odd number, with Ian Anderson playing mandolin and guitarist Martin Barre once again on flute. The other two previously mentioned tunes, Back To the Family and For a Thousand Mothers are a bit too sloppily produced and played for my liking, but they still rock out quite a bit.

Overall, I think Stand Up is one of Jethro Tull's finest albums. It may not be as sophisticated musically and production wise of some of their later albums, but it is still a great record. And it's more than worth having on vinyl, as well, especially if you can find an original pressing, which comes with a pop-up of the band members! - Reviewed by Rich

Knucklehead: Tall Tales and Mostly True Stories of Growing Up Scieszka by Jon Scieszka

Every single page of this book made me laugh with unadulterated delight at the antics and adventures Jon grew up with that shaped his life and his work. It also made me extremely glad that I didn’t have to grow up with five brothers...wow, it sounds dangerous!

I don’t think anyone could come away from this book without enjoying (vicariously) growing up in the Scieszka household. His mom was a nurse with a wild sense of humor plus a determination to give her boys a good education and encourage them to excel, however hard they might try to avoid it. Their father, a principal in a school on the other side of town, was “more of a quiet joker” but had the best tool for raising a pack of boys - being a respectful listener. It was he who dubbed the pack “knuckleheads” – it was easier than saying all 6 of their names when he needed to get all six of their attentions! Jon’s life was filled with sparring, broken bones, jokes, pranks, one-upmanship, hand-me-downs, fun, learning experiences (LOTS of learning from mistakes and bad behavior!) and humorous affection.

No one who went to Catholic school, as all six of the Scieszca boys did, could come away without lots of crazy stories about nuns and their particular style of teaching. Many of them were extremely frightening, but there was one nun, Sister Helen Jude, who was convinced that loving attention works much better than fear when teaching children. Jon gets to prove that with his grateful (and hilarious) chapter on schooling.

The chapter titled “Crossing Swords” gets my vote for “most hysterical”. Six boys, finally in the car, ready for church. One HAS to go pee, (“No, urinate” says Mom, who wants her children to grow up intelligently). Of course then the next one has to go and the next and the next. O.K. so, it takes way too long for them to go one at a time, so...well you’ll have to read it to believe it...

It’s hard to describe the general hilarity of this book with my own words, so I will just entreat you - if you need to have renewed faith in the world, if you want to know what kind of a life makes a writer like Jon Scieszka, if you could just use a really good laugh, then pick up this book and read it! You won’t regret it. - Reviewed by TCPL staff

World War Z: an Oral History of the Zombie War by Max Brooks

This is, quite simply, one of the more interesting books I've read in the last year. It’s not exactly a novel - somewhat in the spirit of The Good War - it’s a collection of (fictional) reports about an outbreak of zombie-ism that nearly wipes out the human race. Ten years after humankind manages to survive this worldwide effort to wipe out the living dead, a U.N. worker is compiling these oral histories into a report on what happened - for better understanding of the events and to prevent them from reoccurring.

While it would seem that dozens of stories might get confusing, or at least not give a very clear picture of the war, the author makes it easier by setting things up linearly, moving forward in time from the earliest signs of the upcoming plague, through the sudden massive outbreaks, the disastrous first responses, the turning point, the end, and the aftermath of the war. One can get a clear impression of the general order of the plague and the war.

While a zombie "novel", if one can call it that, the focus isn't actually on the zombies. They are omnipresent, of course, but these are very human stories. Stories about how doctors failed to understand the problems at first. Stories about government corruption. Stories about panic. Stories about heroism, villainy, triumph, and failure, about tough moral choices and about how morality can go out the window in times of difficulty. In short, the horror in this book is less about the zombies and more about the humans.

And above all, the human stories are so real. While one or two may force you to suspend disbelief (in particular, a blind swordsman) most are quite realistic, perhaps even painfully so. People head north because the zombies tend to freeze in cold temperatures, forgetting that, frankly, so do humans. A company releases a placebo vaccination that people buy by the scores - even after it’s revealed it doesn't work, just for that glimmer of hope. And so on, and so on. Almost every action taken, good or bad, you completely believe that the human being there might have taken it.

Another strong point of this book is that while all the stories are written by one man, he manages to give the individual people telling their stories their own voices. Each story doesn't just read like the same person telling it, a great danger in this kind of book. What lapses there are can be easily explained by the fact that one man is collecting the stories, but all in all the rural Chinese doctor and the hardline Israeli soldier and the scared Japanese youth all sound different enough for it to be believable.

This book doesn't exist in a vacuum, it has a companion, somewhat more lighthearted book called How to Survive a Zombie Uprising which I admittedly have not read, and there is an audio-version of World War Z, with different actors playing the parts, which is supposedly brilliant (I've not listened to it yet). It may not be everyone's cup of tea, but it can appeal to a far wider audience than just "the horror crowd", because it’s a human story. – Reviewed by John

The Knife of Never Letting Go by Patrick Ness

I have just finished The Knife of Never Letting Go by Patrick Ness, a YA novel by a new American author living in the UK. It was reviewed in the Financial Times as a book that should be read by adults and not allowed to sit buried on the YA shelves. The reviewer said that like The Golden Compass, it would appeal to adults. It is one of the fastest paced books I have read and once I got into it, I found it difficult to put down. The language takes some getting used to. The graphic design of the novel is important and one must pay attention to it. It requires one's full attention when reading. The book is the first in what is planned to be a trilogy. I can't wait for the next book to be published. I finished this one feeling like I was almost falling off the edge of a precipice. I almost regret reading it as I so desperately want to know what is going to happen next. The story is about a boy running away from the community where he has been living where there are no women, and everyone can hear everyone's and everything's thoughts. From the incessant thoughts of men, animals, strange swamp creatures, the noise is everywhere and palpable.

I am really hoping our Teen Librarian will arrange an adult/teen book discussion group to discuss this novel. - Reviewed by Sally